The Iconostasis Screen Lifts to Reveal the Miracle of the Australian Dry Air Remedy, 1962

Possibly Nichelson’s second or third reliquary, this work is an assemblage, his beginning technique, and though rough it is appealing.  The long title reflects Nichelson’s keen interest in language and in titling his works he used word play, ironic humor, and double meanings.  Titles are always significant to the interpretation of his work.